
Channel 4 filming at Bath Lodge with George Clarke

The Restoration Man • Bath Lodge (Part 2)
Bath Lodge was the first episode of the series aired in March 2010, George met Mark who for years harboured a dream to live in a unique property, with this in mind Mark bought the 18th century folly with plans to convert it himself into a luxurious family home.
On the 'Buildings at Risk' register for ten years, Bath Lodge was just a derelict shell, with no access road or utilities.
Architect George Clarke was on hand to advise and support - as well as turn detective, as he uncovered the history behind this mysterious building.
Mark was ready for the challenge, but disaster struck three months into the project when the bank retracted the finance.
Pressure mounted with dramatic consequences on his health... and the project was under threat.
However the project was completed, and the results were spectacular.
The quality of the finish of this home is the perfect of example of the
kind of work Marks company Liberty Contracts have been providing
clients for many years.
Bath Lodge was the first episode of the series aired in March 2010, George met Mark who for years harboured a dream to live in a unique property, with this in mind Mark bought the 18th century folly with plans to convert it himself into a luxurious family home.
On the 'Buildings at Risk' register for ten years, Bath Lodge was just a derelict shell, with no access road or utilities.
Architect George Clarke was on hand to advise and support - as well as turn detective, as he uncovered the history behind this mysterious building.
Mark was ready for the challenge, but disaster struck three months into the project when the bank retracted the finance.
Pressure mounted with dramatic consequences on his health... and the project was under threat.
However the project was completed, and the results were spectacular.
The quality of the finish of this home is the perfect of example of the
kind of work Marks company Liberty Contracts have been providing
clients for many years.